The UrbanWire

     

People


The UrbanWire managed to snuggle up with The Click Five in K-Box at *SCAPE for a casual chit-chat/interview session. Here’s what went down!

What can we expect from your new album?

KYLE: The making of our latest album has been a pretty long process, since the last time we were in Singapore (2006). As we have been playing a long time live, we have incorporated more of a live element into the record, along with the usual studio songs.

The Click Five has a larger appeal in Asia, as say compared to America. Why do you all think this is so?
KYLE: Our label here believed in us, gave us a chance. The fans have also been consistently supportive and receiving. We really appreciate and love the energy of the fans here.

BEN: It’s a lot harder to find support and a good fan base in the US. Here, we’re given more chance to give press conferences, interviews, and concerts.

You all were made to eat pig intestines the last time here in Singapore (2006), by The Muttons from 987fm. So what other kinds of exotic food have you all eaten during your tours?

KYLE: Jared Scharff, Saturday Night Live guitarist, who is here with us, ate stingray for the first time here in Singapore! In Vietnam, we also ate squid that was still moving.

BEN: Raw quail eggs. I didn’t want to eat it initially because it was uncooked so it contained a lot of bacteria, but it was seen as being rude by not eating, so I ate it.

How do you think you all have changed, as compared to the beginning?

ETHAN: As people, we’ve changed a lot. We used to live in the same place at Berklee College of Music, but now we’re living everywhere and apart from one another.

The upcoming YOG is in Singapore. What sports did/do you all play?

JOEY: I love badminton, still play it now.

KYLE: Baseball till 16. I also played lacrosse in all 4 years of high school.

What’s your impression of Singapore?

KYLE: We want to live here.

BEN: Fans, if you all want us to live in Singapore, throw a fundraiser. *jokingly* We’ve been here in 2006, and after 4 years, we’re back and we see the different developments that were made in the time we were not here.


At a mere 25 years old, Orianthi Panagaris possesses credentials that can put many experienced artistes to shame. Performing alongside Steve Vai at just 15 and jamming beside the legendary Carlos Santana at a tender age of 18, she shatters the stereotype of female guitarists by proving that girl power still reigns.

O: It’s my first time here in singapore, so we hope to come back really soon. It’s really awesome out there with the ferris wheel and everything, so we wanna venture out.

O: My greatest belief in life is the power of music and how it can inspire people, help people, and take you back. Sometimes you hear a song and it takes you back to like when you were seven, and you were hanging out with your best friend. Just the power of music.

Which song in the album means the most to you?

O: I love “Highly Strung”. I got to write that with my greatest idol, Steve Vai.

Last night, Slash played in Singapore. Do you think you’ll ever do a collaboration with him?

O: That would be awesome, getting to jam alongside with him. I mean, I look up to him immensely and he’s a great player.

You’ve had the opportunity to share the stage with Santana. How was your musical style influenced by him?

O: He’s the reason why I play electric guitar. I was studying classical at the time. I went to the show with my dad, I turned to my dad, “I don’t wanna play classical guitat anymore, I wanna play electric guitar just like Carlos. I was obsessed with it, I wanted to learn all his solos, and I’ll keep pausing his videos so that I could learn a certain song. I think it was at a party or something, and getting to work with him, getting to get on stage with him was a very surreal moment for me because he’s the reason why i play guitar. He’s such a sweet person. Having his support means so much to me.

You’ve worked with idols such as Adam Lambert and Allison Iraheta. Do you enjoy Australian Idol?

O: That’s really based on singing

But you’re a really good singer as well!

O: Oh thank you. I try, but I’m more of a guitar player. Sometimes you have to choose between playing the guitar and singing, and guitar would definitely be my first choice because singing for me is fun, I love it, and it’s a way to connect with people musically. But i just love being out there and playing guitar. I don’t know how well I’ll do on Idol as guitar’s my first passion, and I feel awkward going out there without a guitar. I’ve done it before and I was like “What should I do with my hands?” I’ll just play air guitar, and when I’m in the studios and I’m cutting my records, I’ll play air guitar. So when the camera’s rolling, you can see me rocking out on my “guitar”. I don’t know why, but it feels natural to me. So i’ll probably be like one of those weird contestants.

If you didn’t do music as a profession, what would you be doing?

O: I could be a vet. I love animals, and I love cooking as well, so either a chef or a vet. Or maybe working out in a farm somewhere. The thing is, I’m saying I wanna be a vet but I couldn’t put an animal down, so maybe just working with them on a farm.

So what advice do you have for young girls who wanna be guitar gods?

O: If you wanna play guitar you just got to have a passion for it. You can’t give up. You wanna do something, don’t let someone bother you. You gotta just silence their voices. They can really get to you.

There are a lot of Aussie actors making it in hollywood these days. Do you think you’ll ever cross over to acting?

O: That’ll be a challenge. But I guess the sort of way we do the music videos, we gotta act to a certain extent. Once the cameras are rolling, even if you’re feeling tired, you just got to go with it. I was so sick that day when I filmed my music video, because I had the flu and it was so hot, those lights. I had a cat suit on, it was like being in a toaster. But when it starts, you just got to be, like… So that’s acting. It’ll definitely be a challenge for me to try going in that line, sure. I wanna make sure that I get into character, I never wanna make one of those videos that people forget.

Where do u see yourself 10 years from now? Any plans to settle down? Maybe have a family?

O: I’d love to have a family. Just at this point, so crazy, having these projects going on…

Do you have time to date?

O: I don’t! As I said, I rarely get to see my dog or my family and my friends.

So what do you expect from tonight’s performance?

O: It’s a rock show, it’s a dramatic rock show with lots of guitar solos. It’s a party on the stage.

Being Australian, do you think it’s harder for artists such as yourself to break through on to the scene? You know in UK it’s easier…

O: I don’t know, I mean, coming from Australia, a lot of people are actually out in hollywood from Australia. It’s quite different, and where I’m from… I’m form Adelaide, so it’s a quiet city. Going from there to LA, it’s crazy, but it’s my second home now, LA. I managed to fit into the craziness somehow.

Are people always surprised to find out that you’re Australian? I mean, there’s always this stereotype that Aussie girls are on the beach or like on the farm. So you come along with your guitar and you’re rocking it out, are people ever surprised?

O: Yea, sometimes, cos I don’t sing with an australian accent, so people are like, “oh you have that accent!” And some people wonder “is the accent real or fake?”. It’s just a really bizarre question to ask.

Who are you listening to now? Who’s on your ipod?

O: I bought the new Ozzy Osbourne record, and erm, Jason Derulo’s also one of my favourite. Also, Stone Temple Pilots as well. The Ivory Trade are also good.

Who are some of the female players that have inspired you?

O: Definitely Jennifer Batten. She actually came up to me on one of my shows. I invited her and she came along and that was great.

Has anyone at Guitar Hero ever approached you and asked you for permission to do a song with them?

O: That’d be awesome! I suck at the game, but I’d have to get better at it. That’d be really cool. I actually have a song in rock band, According to You, and I have a little app as well on the iPhone where you can play A2Y on that too.

So are you good at playing your own song on Rock Band?

O: No! Not really, but I try to. I was ok at it, but I really suck at this type of game. It’s kinda embarassing. Not too long ago, I had to play with one of the competition winners and I was convinced that there was something wrong with my guitar, cos the opponent was annihilating me, and this student grabs my guitar and wins the game, on the guitar I was using, and I was like “Ok I’m leaving.” But I could get better at it.

Any words for any aspiring guitar heroes like yourself?

O: Just to keep at it you know. I would practise for about 5 to 6 hours a day. I’m obsessed with it, and I still am, but you can have a passion for it. As a female guitar player you’ve gotta work twice as hard at it just to get it right. You just gotta do your best, keep at it, shut out the negative input. if you’re gonna do this for the rest of your life, just go for it. Never stop writing songs, never stop playing as much as you can in front of other people, collaborating, jamming as much as you can. Everyone has their own fingerprints on their own guitar playing, so as much as you try to copy someone, you’ve got to find yourself.

Photo courtesy of Jeremy Lo


UrbanWire caught up with MX, Darren and Mike from Monochrome to talk about the music influence and the lifestyle of being musicians.
How do you think Alia and Rel are coping with the band, and their jobs?

D: I think it’s not simple, but it’s quite straightforward. We schedule our jamming [sessions] like after their work. Sometimes not everybody can make it, so we’ll try to shift things around to fit everybody’s schedule. It’s a pretty tedious juggling process, but I think we’re managing pretty okay. Performances would usually be on the weekends, or evenings, so it’s not really a problem. Unless we really have to play an afternoon show, we’ll see if it’s really worth it to take leave or something. Like Ignite, RP’s event, Alia and Rel had to take leave because our soundcheck was in the afternoon and on a Friday, so yea.

How much do you guys earn from playing music?

D: Earn? It’s a negative number.
Everyone: (laughs)
D: Most of the time it’s actually a loss. you see, for every show you play, let’s say you get paid $500, and each person gets about a hundred, and for that performance itself you have to practice, and to practice, say about 3 jamming sessions, each session being 15 – 18 bucks, and after that because of the equipment, you have to take a taxi to and fro, have your meals, etc, you end up making about 20 bucks.

Monochrome is a band with many influences such as Paramore, Alterbridge, Muse, and even Dream Theater. That’s a very diverse sound you all have. How do you guys come to an agreement with each other on how your new songs should sound like?

M: Well I guess we just took a step forward – each of us try to listen to the new styles of music we like and come up with something that’s close to our hearts as possible – it becomes like really ‘Monochrome’ – our new songs. It was not exactly planned out. Rel is very Alter Bridge influenced, and i’ll be more to the Paramore and Hoobastank sound. So you know, we ‘mix and match’ our riffs, combined with the lyrics.

The band went through many members before settling down with the current lineup. it’s not easy to find people who can play, people who’d stay and play. So what made you guys push on?

D: At the start we have 6 members, then after that we changed to 6 members still, then we finally settled with 5. Mike and MX are actually the ‘second generation’ members, but they’ve been sticking with us as a band for a very very long time. Just that the first group of people that came before them wanted to play music, but they didn’t have enough passion to sustain. What I mean by passion is not the cliched term of passions, but literally passion because i think a lot of times many people they want to do music but it comes to a point of time when you’re pushing. not that we have become successful, but I’d say we have improved alot compared to the time when we were a 6-piece band. For example you can’t be choosy about the small gigs you get to do, as you need to keep pushing to create awareness for the band. So there were alot of shows that we had to play over a period of time just so we can get the name of Monochrome out there, but those who left couldn’t push through, because of the fact that we were spending money on recordings. They would wonder if it is worth it to spend so much money, whether if there will be returns because when we play shows, we don’t get paid much. to them, it’s alot on the money issue, which is a very common thing. It’s just that I think when it comes to making music, being in a band, money should always be a secondary thing because I don’t believe that people in Singapore can comfortably do music for a living, that is if you are not a pub band, just being an indie (independent) band, because it is pretty hard, you know, when people are not receptive. We do it as a ‘professional hobby’.

Monochrome will be playing for the YOG games – a very big event. how does it feel for everyone of you? What does it mean to you guys that you’ve been invited to play for such an event?

D: Yea, I think it’s a privilege because YOG is something Singapore holds in importance. So having YOG held here in Singapore it’s always something that we get to be a part of, and it’s something you don’t get to do everyday so it’s something that’s different, and as a band we can say that we’ve played for an international event.

Usually when local bands open the show for bigger international bands, they get booed on stage while playing. And after you guys opened the Paramore gig, some people criticized your band on the S.O.F.T forum. What do you guys have to say about their lack of support for local acts?

M: I guess you can’t just please everyone. There’s always gonna be haters, but we did gain a number of fans after that gig.
D: This is something I hold very closely, I think during that period of time we learnt alot, even though we were very despondent about it and everything, but many of our good friends and people from the music scene did mention to us that we’re doing music, an art, and art is something you can’t expect everybody to like. Even Paramore has many people who dislike them. But back to the question, we feel that we grew alot, because we learnt that we cant please everybody but we still just do what we love to do – it’s not going to stop us because as much as some people don’t like us we still have people who like us very much, and would come down to our shows and support us. And to not disappoint them, we should actually not give up because of that group of people who really stood by us, and saw us through that period of time as well. But having said that, we do understand why people would keep shouting for Paramore while we were playing because they are paying 100 over dollars to watch Paramore, not to watch us. So we see it as a privilege to have shared the stage with them. We understood that it was very controversial, because there were alot of bands fighting for this position. There was at least 50 bands competing.

Alia and Darren are attached right? Is it awkward for the rest when they are having some couple moments together?

D: To me…
Mike: (interrupts) isn’t MX supposed to answer the question?
D: (stutters) …what okay
Everyone: (laughs)
MX: Actually I think they are quite a perfect couple, they know and understand the terms between music and personal life, so even if they have quarrels they will bring it out of the band, so our jamming sessions are usually perfectly purely for music. So probably sometimes when we go out for meals and movies they will have some PDA (public display of affection)
Everyone: (laughs)
MX: …but it doesn’t affect the band, it actually sort of ‘enhance’ the closeness of the band and i think that’s a good thing. Mike: (mutters) what doesn’t kill us makes us stronger.
D: I think for Alia and myself, we always tell ourselves to be very professional in what we are doing – the band is the band and our personal lives are our personal lives, we shouldn’t mix these two together. There have been times where we squabble before we jam, but we still jam and we nail the songs that we need to do and go. If you let all these small little things come into the band that’s when you’re very immature, you’re very unprofessional and you will eventually just break up the band, which is what happens to a lot of bands. When we are off stage we’re a couple and stuff, but when we’re on stage we perform in a show, we must be professional, we have to deliver because there are people who are coming to watch you. I guess you have to know what you really want and know your priorities, if you break up sometimes in the band you also have to be very matured about it – of course it will be awkward but it’s not big time awkward – you just have to handle it like adults.

Monochrome is currently endorsed by Electro Voice Mics, Gibson, Maestro. How did you guys get such endorsements?

D: I think the main focus of being endorsed is not just like ‘oh i want to be endorsed by this I want to be endorsed by that’ – that’s where your focus is wrong and where eventually we you are not going to hit it. You know, it’s like guitarists who started by wanting to shred but not knowing how to strum, drummers who learn how to double pedal before their single strokes even work. What we did was we approached a lot of people who like us, who like our music and what we stood for, and they actually wanted their brand to be associated with our band. So that’s where we discussed the terms and conditions and other details. Electro Voice is our biggest sponsors and endorsement brand – they covered all the gear for our Paramore gig, and other gigs, they spent almost 25,000 to -30,000 on the band – and they didn’t expect anything. For them, they wanted to partner us because they like what we are doing as a bunch of young adults. I guess most people are just really shy to go approach people, but being shy won’t get you far. For us, we have many things going on all the time from recordings, performances, photoshoots to mtvs. the shows gets bigger and the crowd gets bigger and that’s why the brands want to be associated with us.

With the rise of new media, the band can easily gain support through internet mediums such as Youtube and Myspace. You guys are able to stay 100% independent. so why the current search for labels?

M: As a band, we are trying really hard in singapore and we’ve been trying for awhile. You also want to see yourself make it one day. but Youtube and Myspace are not exactly the best way of, you know, getting people to know you. The best way to us is still to get out there and play. D: Actually I think Myspace, Facebook, Youtube, these are they ways we ‘create awareness’ – places that people can get to know bands, but it’s not gonna get them to be like ‘hey, i want to buy their album’. As much as internet medium is taking off, I won’t say it is the best because you still need people to be crazy over you. M: It’s better to be at a show with 50 people crazy over you than have 2000 friends on Facebook who will not be there for you. D: And besides all these friends, let’s just be very honest, how many people on your Facebook page are really fans? Plus myspace and all that, it’s still the same. It’s not a reliable medium. So the main thing is you actually need to play shows, you actually need to be known to be playing a lot of shows and people can listen to you play.

What do you guys have to say about playing for gigs whereby you have to sell tickets and pay organizers for the slot?

D: I think it’s absolute nonsense and bullshitting because you see if you want to organize an event, it is up to the organizers to market the event. it’s not up to the bands to do it, not up to them to ask their friends to do it. The organizers will tell you that they want to ‘ensure that there is a crowd’, but it’s in fact just for them to make money. I think bands should be treated with a little more respect, not just a way to make money out of them. We have never played a show where we have to sell tickets. 2 years, 80 over shows altogether. We were not approached because I think I made it quite clear that we don’t like it. Bands are artistes, whether or not they are small time bands, big time bands, they are still artistes. who knows the small time bands may work really hard and two years from now become a big time band? i mean, I don’t think that when Bon Jovi started out with 5 million fans. everybody started out somewhere.

If that’s the case, how did you guys start out without playing for such gigs? when we first started out, I actually did a lot of networking. We had to just keep going to different organizations and ask them if they would like us to perform. And kept pushing. So there was this period of time where in 2 weeks we had 7 shows. Everything has a ripple effect. Once you push it, more and more people will get to know you – whether or not they support you is a different thing, but the awareness it there.

As a parting question, what’s the upcoming gig?

MX: we have a few charity shows lining up, and besides those would be YOG and NDP, of which we would be collaborating with Woodlands GRC, on 8th August.
Catch Monochrome at the National Day Celebration, Aug 8 at Woodlands Drive 17

Latest in this category

Advertisement