The UrbanWire

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How many of us have bad habits? Some of us bite fervently on our nails, some can’t stop shaking our legs under the table. However, as UrbanWire learns from watching Bad Habits, no habit seems to be as dangerous as having bad eating habits; it may even be a matter of life and death.

You can’t blame Linda for wanting to kill her mother. “La prefiero muerta que gorda,” says Elena (Elena de Haro), mother of an overweight Linda, to her friend. This translates, “I’d rather see her dead than fat”. Elena’s final choice of weapon came in the form of stomach stapling. After young Linda hears this news, she fills her mother’s bottle of water with her own medication and waits for news of her death.

Elena does eventually die but the cause of her death, little known to her daughter, was actually her day-to-day psychotic practices of extreme dieting and excessive work-outs – her meal consumption consists of a cube of cheese a day.

This distorted perception of beauty is so rampant yet the society remains so oblivious to it. UrbanWire is delighted how the media is working its magic to try to correct these incorrect perceptions through Bad Habits. After all the celebrity influence (i.e. Olsen sisters becoming thinspiration to young children), Bad Habits comes as a refreshing reminder.

Besides, Elena forces her own beliefs onto her daughter, reflecting how much of an influence a parent can have on a child. The audience is able to relate the expectations of a parent, kind of like how a typical parent wants his or her child to perform exceptionally well in school. Except in the case of too much pressure and compulsion, it becomes negative, to such an extent that Elena loses her husband to a chubbier female student.

Interestingly enough, the brilliant director, Simon Bross, weaves another issue seamlessly into the plot with the invitation of a young nun, Matilde (Ximena Ayala). Similarly, Matilde is a victim of eating disorders. But her reason behind this is religion.

Matilde wills herself to stomach vomit-like food and vinegar as a self-sacrifice. Her intentions are for her God to help with her aunt’s recovery and also for the rain that is causing floods and deaths to stop, and not for her own benefits. However, the price she had to pay was an obsessive rejection of food that landed her in hospital. When she realises that her efforts did not stop the rain from falling, she understands her folly.

The director, Simon Bross, encases the movie in such a powerful manner, a second time since the recent screening of Under The Same Moon. It is amazing how Director Simon Bross can transcend language to bring about this film that highlights real problems of our society.

It is a thought-provoking film and the two stories in the film entwine beautifully. What UrbanWire didn’t like was the repetitive ‘torture methods’ that they used in the stories. Yes, we do know Matilde is going to torture herself by eating disgusting food, and Elena still hates her daughter because Linda is eating that chocolate muffin again. Give us something else.

But overall, Bad Habits proves to be mix between a thriller and a drama with quite unexpected endings. Well, at least it tries. What it reflects about the society is probably why you should go watch this film. Glad for Cathay to be screening this a whole year after it was first released in the United States. Timeless movie.


There was a staged car-crash at one corner, a mock-up car wash at another and many dummy road signs (and real barricades) to bar vehicles from entering Armenian Street to gatecrash the Traffic Jam Party.
street party).

A long queue snaking past half of Armenian Street on Sunday, 28 July 2008, had already formed at 6.30pm, 90 minutes before the party was supposed to start. Some said that the queue started as early as 4.30pm.

(Read more)


If there’s someone who owes her meteoric rise to YouTube, it’s Marié Digby. Her self-made videos of her own interpretations of mainstream pop songs have peppered computer screens across the globe, and this has aided her commercial success as a result.

Her covers include Maroon5’s “Make Me Wonder ” as well as Rihanna’s “Umbrella”, which she also included in her debut album, Unfold.

The Singer, Songwriter, Instrumentalist

But it hasn’t just been the online medium that has been kind to her. Blessed with a myriad of musical talents, 25-year-old Marié Christina Digby not only wrote 12 out of 13 songs on her debut album, but is also adept in the piano and both the electric and acoustic guitars.

Before she was noticed on YouTube, the gifted singer was already signed on to Hollywood Records and had much performing experience, as she sang at numerous nightclubs before. However, even with a recording contract, Digby couldn’t advance her music career “without the support that [she] needed”, as she was quoted saying in her interview with MTV Buzzworthy .

Out of desperation, Digby turned to YouTube. This caused much controversy because it seemed as if she was appealing to people’s support by marketing herself as an amateur. She, however, fought this allegation by stating that it was her decision to use YouTube to increase visibility. She also said that she never denied or hid the fact that she was signed onto Hollywood Records.

A Closer Listen

Having heard Marié Digby’s exceptional singing talent on YouTube, UrbanWire was excited to hear the studio versions of her original acoustic songs in her album Unfold.

The album kickstarted with “Fool”, a strong upbeat number with the guitar as the main instrument. She does sound like Michelle Branch here, with a tinge of Avril Lavignesque rock.

Several tracks like “Girlfriend” and “Traffic” , “Voice On The Radio” , “Beauty In Walking Away” had similar execution, mostly because the piano was used as the lead instrument. These piano tunes kept UrbanWire listening attentively.

Miss Invisible” and “Spell” , both equally haunting songs, proved to be pleasant ear candy.

In the former, she could almost be labelled the next Delta Goodrem, another singer-songwriter who’s extremely deft in love ballads. She possessed Goodrem’s strong vocal delivery and the kind of honesty that comes through her music. The beautiful lyrics of this song - “There’s a girl who sits under the bleachers just another day eating alone. And though she smiles, there is something just hiding.” spoke of a girl who felt unnoticed.

Digby ends this song by singing, “And one day just the same as the last just the days been in counting the time, came a boy that sat under the bleachers just a little bit further behind,” giving listeners a promise of happily-ever-after and a warm fuzzy feeling.

Her hit single “Say It Again” is catchy and perfect for couples in love. Digby sings, ”And it feels like it’s the first time that anybody’s ever brought the sun without the rain. And never in my whole life have I heard words as beautiful as when you say my name.” portraying the affection between lovers. She also included an acoustic version of the song as a bonus track.

The acoustic tracks are exclusive to all Asian listeners as Digby only included the 5 bonus acoustic tracks in her Asian edition of the album. The other 4 include “Better Off Alone” , “Stupid For You” , “Paint Me In Your Sunshine” , and “Umbrella” . This proved to be a delight because this means that there is no longer the need to log on YouTube to listen to those fantastic acoustic numbers!

Digby’s cover of the famous, played-to-death Rihanna’s single ‘Umbrella’ is one such example. Her voice carries the words easily and doesn’t need to hard sell the sex that Rihanna’s version did. By singing in such a refreshing manner, Digby’s cover for “Umbrella” shook off Rihanna’s shadows, resulting in a song that’s truly hers.

More than YouTube worthy?

UrbanWire was a sucker for all the acoustic numbers on the album. In a case of less is more, the studio ones seem to have unnecessary percussion that only distracts listeners from the beauty of Digby’s voice.

Having said that, the full versions of her studio recordings in the album did satisfy UrbanWire’s longing for more. With this, we say that her million hits on her YouTube site aren’t just a bluff - Marié Digby’s really got something. If you don’t believe us, just buy her album and listen to her for yourself.

UrbanWire gives Unfold 4.5 out of 5 stars.

Unfold is available in all good record stores, such as HMV, at $19.90.


Fashioned like a giant ferris wheel, the Singapore Flyer is the newest tourist attraction in Singapore. UrbanWire had a chance, less than a month after its official opening, to get a bird’s eye view up in the world’s largest observation wheel at 165m (approximately 42 storeys high), which is even taller than the London Eye which stands at 135m.

Japanese architect Dr Kisho Kurokawa of DP Architects, Singapore, is the man behind the brilliant design of this state-of-the-art structure. The London Eye and Eiffel Tower inspired its clean and simplistic design. This modern concept is also applied in the 28 cabins of the Flyer, which are fully fitted with UV protection to screen passengers from sunny Singapore’s rays. (Read more)


The State Counsellor is the sixth mystery instalment of the Erast Fandorin series first penned by acclaimed Russian writer, Grigory Shalvovich Chkhartishvili who goes by the pen name, Boris Akunin in 2003.

The first instalment in the series was The Winter Queen, which was published in 1998.

Five books later in The State Counsellor, Akunin’s writing doesn’t seem to have lost any steam.

Journey Of A State Counsellor

Erast Fandorin, equipped with his wit, tackles mysteries with the likes of 007 or James Bond. Though always entangled in romance, Fandorin still manages to save the day in the end. (Read more)


After 34 years of service to the nation, the National Stadium’s last night of operations on 30 Jun ended with a bang, literally with its closing ceremony, Field of Dreams.

 

Kicking off the celebrations first, were none other the Malaysia Cup heroes of yesteryear. Facing off against their ex-Malaysian International counterparts, these living legends including the likes of “The Dazzler”, V Sundramoothy and the goliath in goal, David Lee played out the 50 min exhibition match to a 1-1 draw.

Malaysia’s Dollar Salleh equalised from the penalty spot in the second half after Singapore had taken a lead in the first through a gem of a goal from Suria Munthi who rolled back the years as his exquisite shot from the edge of the penalty box had keeper Rashid Hassan well beaten.

But while these men who beared witness to the birth of the Kallang Roar played their hearts out once last time, they also gave a min of silence before the game in tribute to the late Choo Seng Qwee. Affectionately known by many as “Uncle Choo”, the former coach had inspired many of them to victory in the Malaysia Cup in 1977.

Noting that it was his 24th death anniversary, it was perhaps right that the man responsible for putting Singapore on the Asian football map, yet never received a testimonial, finally received the proper tribute on the very pitch that he held so dear.

Speaking about playing at the National Stadium for the last time, David Lee said that, “It’s an honour to be in the last team to play here in the closing of the National Stadium.” While his team mate Dollar Kassim added that the National Stadium had provided him with “so many fond memories”, and he would undoubtedly miss, “the passion, the cheering and the shouts” from the fans.

After the exhibition, the event officially got underway when the stadium’s cauldron was lit for the last time. Team Singapore athletes accompanied silver-medallist C Kunalan, who first lit the cauldron back in 1973 at the South East Asian Peninsular Games as he made the short run to light it one final time.

The Final Match

The main event for the night was undoubtedly the friendly between the Lions and Australia. With the latter team preparing for their upcoming Asian Football Confederation (AFC) Asian Cup campaign, many in the 45 000 crowd were expecting to see a night of great football. And boy, were they ever satisfied.

Earlier in the day, veterans like Lee believed that the Lions would most certainly lose to their Australian counterparts, but they added that the current set of players wouldn’t succumb to defeat without putting up a valiant fight.

And the ASEAN Champions certainly proved their predecessors right, giving it as good as they got, especially in the first half. While Newcastle United’s newest signing Mark Viduka came close to scoring on a few occasions especially in the 25th min which required a headed goal-line clearance by Daniel Bennett, the Singapore defence provided a stout resistance.

Plus, Singapore’s Indra Sahdan Daud, who had previously scored against the likes of Manchester United and Uruguay at the National Stadium, was determined to end the night with a goal to his name. The diminutive striker nearly scored in the 38th min when he was clean through on goal, but could only shoot the ball straight at the advancing Mark Schwarzer. And just before half-time, Indra almost got his wish, but alas, the bar proved to be in the way after he connected strongly with the ball from a Shi Jiayi corner.

The second half took on a different note, with the Australians starting to acclimatise to the Singapore climate and their attacks becoming more fluent and threatening.

In the 52nd min, these threats amounted to a goal when a quick break from a Singapore corner allowed the Australians to put one up against the Lions, with Viduka’s header from Jason Culina’s cross just trickling over the goal-line.

Besides going a goal down, the Lions were dealt another blow when Mustafic Fahrudin, the colossal midfield general who had scored against Thailand in the ASEAN Football Championship Finals, had to be replaced by 16-year-old Hariss Harun in the 55th min. But perhaps in some way, the substitution signalled the beginning of a new era for the National Stadium, with Hariss set to lead the Lions when they return to the rebuilt stadium in 2011.

With Khairul Amri hitting the post and Singapore failing to get a penalty decision come their way after Jiayi was fouled in the box, the result seemed bleak, especially with the rapturous applause granted to the introduction of Australian winged wizard Harry Kewell in the 61st min.

His introduction gave the Australians an even greater impetuous in attack and they went 2-0 ahead in the 76th min after Kewell peeled away from his marker and pulled a shot that was just beyond goalkeeper Lionel Lewis’s reach.

Following that, Jiayi could only muster a shot straight at Schwarzer in the 80th min before Viduka made the Lions pay for their profligacy in front of goal, when he capitalised on Kewell’s cross to head home in the 87th min to make the final score 3-0.

Coaches Report

After the game, Radojko Avramovic admitted that the Lions missed Fahrudin’s presence in midfield, but he said that Australia showed why they had so many players based in the superior European leagues, but nonetheless, assessing his team’s performance he said, “Generally, I can’t say that the players did badly. They worked hard for 90 min, and I hope this game showed them that they must work harder still towards a better future.”

Australia’s Graham Arnold praised Singapore’s performance and added that, “Some clubs in Australia should take a look at the Singapore players.” However he wasn’t too pleased with some of his charges’ performance defensively. While refusing to name individuals, he said that the team still had much work to do to get ready for the AFC Asian Cup but was pleased that the team’s confidence was high following the victory. He cited Viduka whom he said “had a big smile on his face” after scoring twice in the game.

A memorable farewell

So despite sections of the crowd making their way to the stadium exits immediately after the game, the celebrations continued with a tribute from father-son duo, Brian and Mark Richmond who did a video presentation detailing the National Stadium’s most memorable moments. Following that, Kit Chan performed a song entitled ‘Live Your Dreams’ before President Nathan signalled the end of the celebrations when he doused the cauldron flame, which led to a fireworks and lights display which spectators will probably never forget.

So as the National Stadium bides its time before it gets primed for demolition, fans alike, young and old, will probably look back at this memorable night when a legendary coach finally got the mention he deserved, the pitch where the oldies turned back time and played once more and where their successors refused to get overawed by superior opposition, and when the stars paid tribute to this grand old dame, one last time.

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